National Public Radio’s All Things Considered interviews Philip Roth, whose latest novel, Exit Ghost, is the last to feature protagonist Nathan Zuckerman.
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National Public Radio’s All Things Considered interviews Philip Roth, whose latest novel, Exit Ghost, is the last to feature protagonist Nathan Zuckerman.
Adam Kirsch at the New York Sun writes of the role of the critic:
The critic’s first job, then, even before he evaluates individual works, is to make the reader feel uneasy about his ignorance—to convince him that the art in question is vital and serious, deserving of complex attention.
The Washington Post is running a preview of events at this year’s National Book Festival.
At the New York Times, David Bowman reviews Brock Clarke’s An Arsonist’s Guide to Writers’ Homes in New England.
At the San Francisco Chronicle, Stephen Elliott reminds readers to focus on the words.
And what about Henry Miller? Susan Sontag? The endlessly self-promoting Truman Capote? Or the ultimate narcissist-pundit, Norman Mailer? Is Ernest Hemingway a lesser writer because his subject was often himself?
For the good of culture and the survival of literature we need to refocus and celebrate what’s between the covers and immerse ourselves in the richness on the page. . .
While reading Yukio Mishima’s Sea of Fertility tetralogy, I came across an article at Exquisite Corpse detailing a bizarrely mystical search for answers from the wielder of the blade.