Monthly Archives: June 2008

Mass E-mailings of Cat Pictures

In the New York Times, Mark Sarvas reviews Ed Park’s Personal Days.

“Personal Days” unfolds in three parts — “Can’t Undo,” “Replace All” and “Revert to Saved,” headings that will be instantly recognizable to any reader who has launched Microsoft Word. The book effectively employs any number of familiar McSweeney-esque devices (or tics, depending on your point of view), including catchy section headings; short, impressionistic passages; and creative typesetting.

But there’s a dark undercurrent to all the whimsy, a Beckettian dread as co-worker after co-worker is blasted out of the desolate landscape. (An interoffice messenger is known only as the Unnameable, and even his description — “50ish, tall, with a healthy fringe of white hair and gleaming, inquisitive eyes” — invokes Beckett’s visage.) Indeed, Beckett’s oft-quoted “You must go on, I can’t go on, I’ll go on” precisely mirrors the plight of Park’s beleaguered characters.

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Deprivation of Air

He’s produced 11 volumes of novels and short stories, but he lives in western Australia, one of the remotest parts of the world. People don’t know about him. They don’t know what they’re missing.

Writing for the Washington Post, Carolyn See reviews Tim Winton’s Breath.

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No Threat

In “J.M. Coetzee and His Censors” at Granta, Simon Willis writes of In the Heart of the Country that “in the censors’ view the novel was rendered innocuous by a literary quality which curtailed the book’s likely readership.”

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Conflicting Loyalties

National Public Radio has Andrew Sean Greer reading from The Story of A Marriage.

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The Age of American Unreason by Susan Jacoby

The Age of American Unreason by Susan Jacoby

Recommended.

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Civilized Europe

The reader knows at the outset that Poland and France soon will fall and that millions will die, including many of those whom we meet in these pages, and Furst means us to feel frustration and anger as the prevailing idée fixe opens the way to Hitler’s acts of aggression.

Jonathan Yardley at the Washington Post reviews Alan Furst’s The Spies of Warsaw.

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Vexing Infinitude

In the New York Sun, Hua Hsu reviews Ethan Canin’s America America.

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The New Expectations

At The Globe and Mail, Andrew Pyper delivers a sobering report.

The pressures on writers coming into the second decade of the quickly aging century go well beyond the previous demands of meeting deadlines and improving one’s craft. The midlist–we are soberly told by agent and editor alike–is, like the Titanic, a place no less doomed for all its comforts and good taste. Gone are the tweedy days of publishers sticking by an author because their editors believe in him. Now every book has to “work.” That is, move product. A lot.

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