Monthly Archives: July 2009

Reminded of the Pod

In The Atlantic, Alice Sebold contemplates literary awards.

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Technique and Time

At Néojaponisme Daniel Morales reviews Haruki Murakami’s 1Q84.

Some unfortunate (or perhaps fortunate) souls will choose 1Q84 as their very first Murakami novel. As they follow Aomame and Tengo through the confusion of the novel and experience a Murakami world for the first time, they too will likely be drawn in by the dialogue, by the pregnant pauses, by the temple rubbing and lack of responses to important questions. By the music references, some of the lofty overtones in the first chapter, and the hints of warmth and connection implied in the final chapter. If new readers like the book, they still have the strongest part of his catalog left to enjoy. On the other hand, they might be expecting more of the same. Experienced Murakami readers will recognize connections with his old works, and if they strain their eyes hard enough, they might even be able to see flashes of the old boku as he is bricked in for good by the third-person narrative in 1Q84.

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The Japanese Corpse by Janwillem van de Wetering

The Japanese Corpse by Janwillem van de Wetering

Not recommended.

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2009 Man Booker Prize Longlist

The Guardian covers this year’s Booker prize longlist.

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Throbs with Menace

At Slate Judith Shulevitz reviews Maile Meloy’s Both Ways Is the Only Way I Want It.

Meloy’s grasp of our civic abdication is clear-sighted, large-hearted, and desperately necessary. Her pity flows most abundantly for its victims. This is an understandable sentiment but also, at times, a literary liability. Meloy feels such anguish for the innocent that she cleaves to them almost too closely. There is a superabundance here of the child’s point of view.

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Suspicion and Fear

National Public Radio’s All Things Considered interviews Dave Eggers about Zeitoun.

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The Elementary Particles by Michel Houellebecq

The Elementary Particles by Michel Houellebecq

Recommended.

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Temporary Happiness

Michael Dirda of the Washington Post reviews Keith Thomas’s The Ends of Life.

When young, we are all aesthetes, eager to enjoy a wondrous world full of beauty, promise and reward. The experience of life itself seems enough to keep us busy and happy. So we fall in love and go to work and find success or not, and the decades roll by.

In later years, however, we become unwilling philosophers. A parent unexpectedly dies. The now-grown children go off on their own. Work suddenly loses its savor. Before long, we are taking long walks and wondering about the old perplexities: What makes for a meaningful life? How should we pass our too few days upon this Earth? What really matters?

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