Monthly Archives: March 2010

Thrilling Commercial Espionage

National Public Radio’s All Things Considered interviews Sarah Rose, author of For All the Tea in China: How England Stole the World’s Favorite Drink and Changed History.

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Decidedly Lesser Effort

Michiko Kakutani of the New York Times reviews Ian McEwan’s Solar.

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Beyond Prestige

At Salon Jed Lipinski and Anya Kamenetz discuss changes in higher education.

As you write in the book, colleges can increase their tuition simply to appear more prestigious on the U.S. News & World Report rankings.

Right. The problem is, we don’t really know what happens inside a college classroom. We have the SAT, which measures high school performance more or less, but there are no national standards for higher education. So the U.S. News & World Report rankings depend on exclusivity and spending.

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The Possessed: Adventures with Russian Books and the People Who Read Them by Elif Batuman

The Possessed: Adventures with Russian Books and the People Who Read Them by Elif Batuman

Not recommended.

Buy from an Independent Bookseller Buy from Amazon

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Writing Craft

Mediabistro talks to Tim O’Brien.

Something has gone wrong in our schools, it’s sad to see. Even in our MFA programs students don’t know how to make decent sentences. In a lot of cases, I’m talking about grown, 35-year-old students who speak fine English, but for some reason, can’t write it. Students hate hearing that, but it’s absolutely essential for success.

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Dubious Distinction

The Bookseller announces the winner of the Diagram Prize for Oddest Title of the Year. Collectible Spoons of the Third Reich lost.

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Very Little Consensus

In Free Software Magazine Terry Hancock examines paths to copyright reform.

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Equally Risible Clichés

Ron Charles of the Washington Post reviews James Hynes’s Next.

Hynes knows exactly where he’s going with this story, and his compulsive patter is witty and alluring enough to keep us running alongside Kevin. Soon enough, it’s obvious that what looks like a lonely guy just marking time is really a man engaged in a moving, brilliantly composed act of introspection.

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